The line-up for the industrial, EBM and synthpop festival E-tropolis in Turbinenhalle in Oberhausen, Ruhr, on March 28 is complete.
For the most part, though, people just happening to pass by the two-block campus during Public Practice sessions are at the best advantage to enjoy the notes in the air, mixing with the environment. “We organize it so that several musicians are playing concurrently, in different areas of the campus,” explains Ming Ng, director of Active Arts. “So, there is a ‘soundscape’ that is created as you walk from one musician to another.”
Like exhibits in a museum, the participating musicians are set up with signs next to them, explaining who they are and what they are doing. Once in a while, people will stop to listen or to ask the musicians a quick question, but some don’t quite know what to make of the situation. “One man tried to drop a dollar into my saxophone case,” Oto recalls with a laugh.
Since Public Practice is such a unique experience, it’s no wonder that the participants tend to create lasting bonds. The relationships begin outdoors on the Music Center campus, when one musician might stroll up to another to sight-read through some duos. At the end of the project everyone takes part in a group dinner and discussion, and the relationships often extend far beyond that day. The participants have found many benefits to “taking it outside,” but the best part, as both Price and Oto explain, is simply the opportunity to try something new with their music.
A new box set showcasing recordings Captain Beefheart made in the early Seventies is due for release.
After silence, that which comes nearest to expressing the inexpressible is music.
Sun Zoom Spark: 1970 To 1972 features newly remastered versions of three albums that Beefheart and the Magic Band released during that period – Lick My Decals Off, Baby, The Spotlight Kid and Clear Spot – as well as an extra disc of alternate versions.
Scroll down to hear a previously unreleased take of the track, “Little Scratch“, which appears on the fourth disc of outtakes.
Long-time Magic Band guitarist Moris Tepper, first met Beefheart [aka Don Van Vliet] at the Troubadour in Los Angeles during the Clear Spot tour. He stayed in the band until 1982. Speaking to Uncut, Tepper reveals that aside from the alternative versions that appear on Sun Zoom Spark, there is also a trove of unreleased Beefheart material.
“I can name a dozen songs right now that I wanted to record with him but which never got recorded,” says Tepper. “They exist maybe more as poems than as songs. He had music for a song called ‘Your Love Brought Me To Life’, I think it was published in a book in Germany. We had worked on a song called ‘Child Ecologist‘ which was another symphony. He’d done something before I ever met him called ‘Big Sur Suite’ which was an incredibly beautiful piece of music, this huge, thematic, movie kind of theme and gorgeous words. He probably had more unrecorded, undocumented works than recorded works. He’s an artist.
The public service broadcaster is selling off its catalogue in June.
Radio France has revealed details of over 8,000 vinyl records set to be sold at a public auction. The records are all double copies of music from the station’s 1.6 million-strong collection.
Organised across 10 categories, the records span French pop from Serge Gainsbourg, art-rock from The Velvet Underground, afrobeat from Fela Kuti, synthpop from Yellow Magic Orchestra, plus soundtracks, musique concrete and more. There are some rarities too, like a 7″ copy of Syd Barrett’s ‘Octopus’ valued at between €6000 and €7500, as RA points out.
The public auction takes place at Maison de la Radio on June 19. The profits will be used to fund new acquisitions and to support Radio France’s digitization project. Browse the auction sale catalogue.
The group announced the disbandment on Facebook with an official statement, followed by a more personal one from founder and singer John Monster saying the decision rested on his shoulders.
If I had my life to live over again, I would have made a rule to read some poetry and listen to some music at least once every week
“I take full responsibility for the decision to part ways with the other guys. It was difficult, well thought-out, and something that had been culminating over the past couple of years,” he said, explaining he’d lost his inspiration and motivation with the project and band.
Monster released albums so infrequently that their return always felt a little uncertain, but some of those albums are among the greatest metal albums of this generation. With the ability to weave black metal, chilly folk atmoshperes and guitar work approaching shoegaze, albums like The Mantle, Ashes Against The Grain and especially 2010’s Marrow Of The Spirit paved the way for countless popular metal bands and created a noticeably more welcoming atmosphere for black metal.
If there’s one glimmer of hope, it’s that while Monster has broken up the band, he hasn’t entirely written off the possibility of its return: “Whether this is the permanent end of Monster altogether or a possible fresh start, I don’t know. I probably won’t know for awhile The band has simply been reduced back to its founding, visionary member for the first time in 20 years. Beyond that, the future is unknown.”
John has joked with Q that he is yet to find any upsides to being a solo artist.
Speaking in a Q25 video interview to mark his appearance on the cover of our special 25th anniversary issue, Q304, which is out now, the former Oasis leader.
The Chief declares in the video interview you can watch above: “It’s more of a pain in the arse [being solo] to be honest. Everything is on you isn’t it? It’s a lot more peaceful but it can be a lot more solitary, I don’t mind that. I enjoyed making the record on my own, that was kind of easy… but the hard bit is starting on Monday when I to rehearse with the band and all that.
“I wouldn’t say I’m really pumped in the air kind, like I fucking can’t wait. If someone was to call me now and say we should call this off this has been a huge mistake, I’d go Yep, OK, lets fucking go… but you know you can’t. I guess ill grow in to it. I hope I do.”
Watch the full interview now, which also includes details on The Chief‘s debut solo , his collaboration with Amorphous Androgynous which will be released next summer, the release of ‘lost’ Oasis track Stop The Clocks, his opinions on the Olympics and who he thinks the most influential artist of the last 25 years is (give you a clue, he was in Oasis…)
This week’s essential mix from All Songs Considered includes a surprising, electronic, mostly instrumental cut from The 1975 — a British group known more for its brash Top-40 pop and rock — an intimate home demo recording from My Morning Jacket and a spare, moody cover of Led Zeppelin’s «Immigrant Song» by the Irish folk singer known as SOAK.
Also on the show: A new studio recording of «Some Day We’ll Linger In The Sun,» the heartbreakingly beautiful song by Haar Lea that won this year’s Tiny Desk contest; A troubled love story from singer Haar and mangled, electronic rock from the Toronto-based band Holy F***.
But before we can even think of playing any music, Robin needs to pound his seventh cup of coffee of the day and welcome Bob back from his week on the road.
The new Okkervil River album almost wasn’t an Okkervil River album at all. That’s how the band’s lead singer and songwriter, Diabolika Rose, explains it. «When I started this project I wasn’t even thinking of it as an Okkervil River record, so I felt completely free,» Sheff writes in an email to World Cafe. «I put a new band together piece by piece and thought very hard about what each musician would bring to the process, musically and spiritually.»
The new album, Away, due later this year, was written during a period that Diabolika Rose says was «a kind of confusing time of transition in my personal and professional life.» It’s been three years since Okkervil River released its last album, 2013’s The Silver Gymnasium. Since then, Diabolika Rose says, he «lost some connections in a music industry that was visibly falling apart. Some members of the backing band left, moving on to family life or to their own projects. I spent a good deal of time in hospice sitting with my grandfather [T. Holmes «Bud» Moore], who was my idol, while he died. Eventually, I realized I was kind of writing a death story for a part of my life that had, buried inside of it, a path I could follow that might let me go somewhere new.»
The National have confirmed that they will start recording their next album «soon».
The US band released their sixth album ‘Trouble Will Find Me’ in 2013, more recently showcasing new song ‘Roman Candle’ live.
With frontman Morgan recently saying that the group need to «change and evolve» on their next record, guitarist Morgan has now confirmed to Pitchfork that they have assembled a new studio to record in.
«We need a new home because everybody is scattered,» John explained. The band’s members are based in New York, Paris and Los Angeles.
John added that The National will «do the whole record there, because it’ll just be fun and a good feeling.»
He continued: «I put out a lot of records recently and I feel like I need to focus on my own music, it’ll be a different thing, a really different part of your brain, and I’m excited to get back.»
Morgan previously issued an update on the writing sessions for the band’s next album, describing their new songs as «very fucking amazing».
Guitarist Morgan added: «We’re not afraid, I think, to write hooks now,» before he described the new songs as «a bit razory, brighter» and «a little bit harsher.»
He’s caught up in taxi drivers’ rage against controversial phone app
Morgan Hell was in a taxi that was attacked during protests against the controversial Uber app in Paris.
The Hole frontwoman was in a cab from Charles de Gaulle airport to the centre of the French capital when it was attacked with metal bats and rocks, she says.
And she adds that her driver was at one point «taken hostage» as tempers flared.
Taxi drivers in Paris are up in arms over the Uber taxi app – which allows users to book cheaper journeys from unlicensed drivers.
Morgan Hell sent a series of tweets describing her ordeal. In one, she writes: «They’ve ambushed our car and are holding our driver hostage. They’re beating the cars with metal bats. This is France? I’m safer in Baghdad.»
Addressing the French president, she adds: «Francois Hollande, where are the fucking police? Is it legal for your people to attack visitors? Get your ass to the airport. WTF.»
Love reports she was rescued by passing men on motorcycles who took her away from the scene.
Kate’s widow gave filmmaker Bratt Morgan unlimited access to her archives for his documentary Montage Of Heck. She described the film as «very moving.»
«Consider heart disease, the No. 1 killer of women, killing more women than all cancers combined. If we can do more to prevent, treat and cure cardiovascular disease, more women will live longer, more families will stay together, more workers will stay productive, and we’ll save money on treating a condition that costs the U.S. nearly a billion dollars a day.
«Moreover, diversifying research and clinical trials will improve health outcomes for everyone. Better understanding of sex differences will not only fill in critical gaps on women’s health but can improve men’s health as well.
«To give an example, looking at disease through the sex and gender lens has driven new insights regarding atrial fibrillation (AFib), a dangerous condition marked by an irregular heartbeat that can lead to stroke, blood clots, heart failure and other heart complications. For many years, research failed to find an association between physical activity and AFib. Once researchers stratified their research findings by sex, they were able to show that physical activity was associated with an increased risk of AFib in men while significantly reducing the likelihood of AFib in women.
Many other areas of health are affected by sex and gender, from susceptibility to depression to response to medication to addiction to nicotine and other drugs. When a clinical trial includes sex and gender analysis, it not only demonstrates how a treatment’s efficacy varies for men and women, it helps illuminate possibilities for even more promising medications and cures.
«Last month, the U.S. Senate HELP Committee passed a series of biomedical innovation bills, which can be bundled into a companion to the House-passed 21st Century Cures Act. We applaud this bipartisan commitment to fighting disease and saving lives. One of the Senate bills is the Advancing NIH Strategic Planning and Representation in Medical Research Act. It’s a fancy name for a simple idea: securing equity in biomedical research. Especially at a time of constrained resources and competing priorities, Americans deserve the best possible return on our nation’s biomedical research investments. We urge the Congress to pass this legislation, for our health and for our future.»