Etiqueta: techno

The Subways Tour Diary: Days 6-10 the adventure continues

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The Subways were kind enough to chronicle their North American tour for us, and we’ll be running their tour diary in several installments this week. Billy Lunn will be our guide, and as he writes, “Because so much usually ends up happening on our tours, we thought that this time round, whilst we’re on our exciting US/Canada tour, I’d keep a diary of all our happenings.

As well as being a nice little insight for you guys into our daily lives, it’s also a nice way for me to recap and relive the days as they happen!

Check out entries for Days 6-10 below.

Early start today for a Converse live session, but it was a great excuse to get in a cab and see the sights of beautiful Boston. The wealth of redbrick buildings reminded us of the redbrick of Manchester in our own U.K., which adds a natural autumnal look to the city, and this wonderful quality was compounded by the blue skies and soft, orange sunlight! On our way we passed Harvard Business School on our right, and I wanted to take a detour over the bridge to Harvard Square in Cambridge so I could get a nice feel of what it’s like there. All of a sudden I felt pangs of wanting to study a postgraduate at a Boston uni after I finish my BA at Cambridge—assuming I graduate, of course! Haha! We didn’t take the detour; we like to be punctual!

Rise of Electronic Music

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With the popularity of electronic dance music and the increased accessibility of technology more and more people are learning to express themselves and their talents through electronic music. These new producers submit their creations for all the world to see in hopes of becoming one of the next big names in the industry.

The motivation to keep pushing through failures and keep fighting for success can make even a mediocre person extraordinary.

 

The story continues

Sadly, sometimes being noticed with such a large influx of new producers can be difficult and a lot of people make some very common mistakes that keep them from reaching their goal. In the following article we will go through 5 of the biggest mistakes new producers make when trying to reach stardom and how you can avoid them.

  1. Lack of a unique style. So many producers now sound like cookie-cutter clones of already popular artists. I cannot express how important it is to stand out of the crowd. To have someone hear your music for the first time and say, “I’ve never heard anything like this before,” is huge.
  2. Lack of social media. Surprisingly some producers don’t use social media or only use a limited number of social media outlets. Social media is one of the most important tools if you know how to use it correctly.
  3. Charging people for your music. A lot of new producers seem to run into a problem with this one. Everyone wants to make a quick buck or two and as soon as they get the option to post their music exclusively on Beatport, iTunes, etc. they quickly take that option.

No drive. As cliche as it sounds, if you want something you have to go get it. Share and talk about your music with everyone you can. Network with as many people as possible. Post your music on forums, EDM blogs, and any website possible. Just keep that drive everyday, all day. The motivation to keep pushing through failures and keep fighting for success can make even a mediocre person extraordinary. The sad truth is a lot of producers just don’t want it bad enough.
Fight for it.

Ultra Music Festival 2018

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With the popularity of electronic dance music and the increased accessibility of technology more and more people are learning to express themselves and their talents through electronic music. These new producers submit their creations for all the world to see in hopes of becoming one of the next big names in the industry.

The motivation to keep pushing through failures and keep fighting for success can make even a mediocre person extraordinary.

 

The story continues

Sadly, sometimes being noticed with such a large influx of new producers can be difficult and a lot of people make some very common mistakes that keep them from reaching their goal. In the following article we will go through 5 of the biggest mistakes new producers make when trying to reach stardom and how you can avoid them.

  1. Lack of a unique style. So many producers now sound like cookie-cutter clones of already popular artists. I cannot express how important it is to stand out of the crowd. To have someone hear your music for the first time and say, “I’ve never heard anything like this before,” is huge.
  2. Lack of social media. Surprisingly some producers don’t use social media or only use a limited number of social media outlets. Social media is one of the most important tools if you know how to use it correctly.
  3. Charging people for your music. A lot of new producers seem to run into a problem with this one. Everyone wants to make a quick buck or two and as soon as they get the option to post their music exclusively on Beatport, iTunes, etc. they quickly take that option.

No drive. As cliche as it sounds, if you want something you have to go get it. Share and talk about your music with everyone you can. Network with as many people as possible. Post your music on forums, EDM blogs, and any website possible. Just keep that drive everyday, all day. The motivation to keep pushing through failures and keep fighting for success can make even a mediocre person extraordinary. The sad truth is a lot of producers just don’t want it bad enough.
Fight for it.

House and Electronic Dance Music DJs – Use a Playlist

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With the popularity of electronic dance music and the increased accessibility of technology more and more people are learning to express themselves and their talents through electronic music. These new producers submit their creations for all the world to see in hopes of becoming one of the next big names in the industry.

The motivation to keep pushing through failures and keep fighting for success can make even a mediocre person extraordinary.

 

The story continues

Sadly, sometimes being noticed with such a large influx of new producers can be difficult and a lot of people make some very common mistakes that keep them from reaching their goal. In the following article we will go through 5 of the biggest mistakes new producers make when trying to reach stardom and how you can avoid them.

  1. Lack of a unique style. So many producers now sound like cookie-cutter clones of already popular artists. I cannot express how important it is to stand out of the crowd. To have someone hear your music for the first time and say, “I’ve never heard anything like this before,” is huge.
  2. Lack of social media. Surprisingly some producers don’t use social media or only use a limited number of social media outlets. Social media is one of the most important tools if you know how to use it correctly.
  3. Charging people for your music. A lot of new producers seem to run into a problem with this one. Everyone wants to make a quick buck or two and as soon as they get the option to post their music exclusively on Beatport, iTunes, etc. they quickly take that option.

No drive. As cliche as it sounds, if you want something you have to go get it. Share and talk about your music with everyone you can. Network with as many people as possible. Post your music on forums, EDM blogs, and any website possible. Just keep that drive everyday, all day. The motivation to keep pushing through failures and keep fighting for success can make even a mediocre person extraordinary. The sad truth is a lot of producers just don’t want it bad enough.
Fight for it.

The Answer to Making Your Own Professional Dance Music – Create Your Own Beats

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Are you interested in making custom dance music? Most of the information on the internet will tell you that in order to create dance beats yourself, you will need a professional recording studio which costs many thousands of dollars, but that is definitely not the case now.

Although it is beneficial if you have a recording studio and many years of background experience in music production, the truth is that it is not the only way to make dance music. There are other options available that allow you to make amazing dance tracks just like the stuff you hear on the television and radio which have been made by professionals.

The way to make this happen is through the use of a brand new groundbreaking piece of software that can aid you in the creative process of making your own dance beats easily and quickly.

Be aware that if your background is not in this genre, it can be difficult to make music that sounds good or to even learn the software in general.

There is a light at the end of the tunnel, though, because that is not the case with this software…

One piece of software that was recently made available shows you step by step how to make your own dance music with ease. The best part is that both professionals and absolute beginners can benefit from this unique program.

A lot of people are even making there own professional music beats with this software and selling them online, which is also perfectly legal as though they were the ones that created the music, so there is no copyright worries etc.

The Death of Dance Music? Get Over Yourself

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Time and Time again, one of my friends will say to me, “You’re still listening to Dance Music? When are you going to grow out of that, there hasn’t been anything new in years?”… Me: “No, you haven’t heard anything new in years”.

“And listen to what?” I always say. “That crap you have in your glove box?”

I run into people and friends all the time that “Used to” listen to Dance Music, and claim knowledge of the most popular and listened genre of music in the world, but in all reality, they just really jumped a bandwagon at the time the radio was playing a lot of C and C Music Factory, Black Box, KLF, Pet Shop Boys, and every Top 40 artist had to have a “Club Mix” and thought that they were in “The scene” for a time period.

Then radio moved on to the “next big thing” and like sheep, they went with it, or reverted back to what they were listening to before. The fact of the matter is, Radio, MTV, and other mainstream outlets play what image they think they can sell you, not what’s really good, or popular. They create popularity. That is their business.

The Death of Dance Music has been predicted by one writer or another over the last 25 years and it always makes me laugh. Some of the same guys, (and gals) that were hitting the clubs in the 90’s, wearing their best Z-Cavaricci’s, Cham’s, Polo’s, Alexander Julian Shirts, Roots Shoes, Baby Doll Mini’s, Coach Bags, and “Jacked up” on enough Cocaine to stimulate the GNP of Bolivia, are now the same writers and “haters” that lost touch with what is going on, had a kid or 2, sobered up, and since it wasn’t on the radio anymore, and assumed that everyone stopped listening, and continued to be force fed the same 40 songs as everyone else in the country, until you heard it enough times, that familiarity tricked you into believing that you liked it.

Nothing, as we all know, nothing could be further from the truth but I always get a kick out of my friends and associates that don’t give any respect to the form, and pull out an old Megadeath, Journey, or Phil Collins TAPE, and say, “See now, this was the good stuff”

I have been listening to House, and Techno/Trance since the beginning, and not only is the old ground breaking stuff still able to hold it’s own on any dance floor, but it has evolved and gotten better over the years and has spread around the world like an infectious plague, and planted a flag firmly in the culture of most every civilized society on the planet. I love it when I play something from “back in the day” and somebody in my car will say, “Hey , I like that new stuff you’re playing…Who is that?”. And I’ll say something like, “Um, that’s Todd Terry with Martha Wash…it’s 10 years old”

History of Dance Music

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What is Dance Music? The definition of dance music is quite simply- Music composed/ played specifically for dancing to. Dance music includes a whole variety of music from waltz to tango, disco to rock.From the dawn of mankind humans possessed the desire to danceIn accient times, the first purpose of dance was ritual – to the gods of nature. Dancing is proven to make us feel good. Dancing is used in celebrations. In ancient Greece,after harvesting grapes, the occasion was celebrated in honour of the God of wine, Dionysus, where people danced all night long. Although dance and music can be traced back to prehistoric times, it is unclear which came first. As rhythm and sound go hand in hand and inspire movement.The relationship between the two has always been symbiotic.

Our ears have the fewest sensory cells of any sensory organ–3,500 inner hair cells occupy our ears versus 100 million photoreceptors in our eyes. Yet our mental response to music is amazingly adaptable; even a little study can “retune” the way the brain handles musical inputs.
It’s a well known fact that music is good for you, as it builds neuropathways and stimulates the mind. Recently scientists discovered what makes a tune catchy, after locating the brain area where a song’s “hook” gets caught. Its in the auditory cortex,which handles information from ears.
Dance Music in particular stimulates our brains, as studies found, thus the popular demand for night clubs. An uplifting melody with an uptembo rhythm increases our stimulation in the auditory complex.

In recent times the term “dance music” is more familiarly known as club music, electronic music…techno, trance, house, eurodance, breakbeat and trance,drum and bass,hip hop,raga.
Electronic dance music evolved in the 1970s. Kraftwerk, Georgio Moroder, Donna Summer and Sylvester are just a few of the artists who started the dance music phenomenon.
From 1988, many terms of dance music evolved
From Acid House to Techno to ambient wave to trance.

Nowadays we have all sorts of dance music from all over the world. We hear it on our radios, Tvs, in our night clubs. A recent survey found dance music is the most popular genre among music tastes, and is growing in popularity even more each day.
I found this interesting web station last week with a nice mix of dance music.

3 Tips On How To Make Your Own Hot Dance Music

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We all have some things we’d like. A lot of people have things they need to achieve or do. With a few people it’s something they wish to own or to have. Often it is learning how you can do something or perhaps be something which we want.

Maybe, as an example, you want to make your own dance music. A lot of people want that, and it’s not hard to accomplish once you learn how to. The next few paragraphs can guide you to reach your goal and make your own dance music. If you want to find out how to make your own dance music in a few simple steps, keep reading.

The 1st step is to have the desire and want to be creative. You need to do this because without desire most dreams will not be pursued. It will be vital that you avoid any negative influences that may bring you down and stop the flow of creativity.

It’s going to be important to finish this 1st step carefully, carrying it out completely, properly and well. If you do not then a poor effort will be the result in creating your own dance music.

Step number 2 would be you will need some music production knowledge. What you should avoid here is not taking some time to learn more about music production, You can take classes and the internet can provide you with a wealth of knowledge to get started.

Your 3rd and final step will be music production studio software. The reason this will be significant is the fact that you can create your own dance music on your computer, burn it to a CD and start producing dance music quickly. What will be important to avoid is spending a lot money to get started, Well here is the best part, There is software available that can show you how you can make your own hot dance music and the best thing about this software is it has been made for the complete beginner and for the professional. The software comes with tutorial videos to get you up and running in about 10 minutes, and is jammed pack with thousands of beats to choose from, so you will be able to make some great and unique dance tracks in a short period of time.

It’s best to follow all of the 3 steps carefully. Be sure to avoid the pitfalls and potential problems mentioned. You’ll be able to successfully avoid virtually all problems by carefully observing the problem warnings here.

When you set out to succeed in making your own hot dance music, by observing the above suggestions you’ll have very high chances of succeeding. Then you may pat yourself on the back! And enjoy every one of the rewards and benefits gained by your effective, well-directed efforts!

For additional information about this amazing software that can help you get started making your own dance music right from your computer go to:

All you need to do is load up the software and pick the style of music that you want to make and then it comes with loads of pre recorded beats so you can get started right away!

How To License Your Music

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Music is a big part of civilization. Centuries had passed but music survived and even grew to greater heights every single decade. As a matter of fact, the demand of music has been rising very steadily in the past 10 years and it will continue that way in the foreseeable future. It comes along with the big amount of revenue the music industry is currently getting year after year. It is an unstoppable force as people always look up for the next great artist around the corner, thus continuing the cycle and the relevance of music. The demand of music content is at an all time high. The global music revenue since the turn of the century has been steady. The currency is measured in billions.

As the technology grew, music got more technical, complex and in demand. Others take credit for using music they don’t own. Nowadays, independent musicians are well aware of protecting their work for legal purposes. Through music licensing, you can be ensured of your asset/work being protected legally.

What is music licensing? Music licensing is the licensed used for copyrighted music. This allows the owner of the music to maintain the copyright of their original work. It also ensures the owner of the musical work to be compensated if their music is being used by others. The music licensing companies has limited rights to use the work without separate agreements. In music licensing, you could get your work licensed in the form of music, composition and songwriting.

During the music licensing process, there are terms that would be discussed by the groups involved. If you are an independent musician, you would be the licensor. You are the one responsible of the music created, thus you are the copyright owner of the licensed work. A licensee would be the music licensing company as they would be the one who will distribute your work to other industries. They will also collect the royalty fees as distribute them back to you if your music is included in live performances, TV shows, ads, campaigns, video games, etc.

There are also two kinds of contracts in music licensing, namely exclusive contract and non-exclusive contract. Exclusive contract means having your work licensed exclusively to a single music licensing company. Only a single company has the authority to distribute and market your work. If you signed an exclusive contract to your song or album, you cannot use the same music contents and get it signed by other music licensing companies. The agreement is exclusive and confidential to the licensor and the licensee.

Non-exclusive contract allows a second party to distribute your work and it doesn’t prohibit the licensor to sell their music to other music licensing companies or licensees. An independent musician can sign a non-exclusive contract to multiple companies using the same music content. Non-exclusive contracts are generally used to prevent an individual from being locked into a restrictive contract before their work gains popularity. This type of contract is designed to protect music artists from being taken advantage of in the early stages of their respective careers while on the process of getting their music out to larger audiences.

There are also cases which involves direct payment for used music content. This is called Sync Fees. Sync fee is a license granted by a holder of a copyrighted music to allow a licensee to synchronize music with visual media such as ads, films, TV shows, movie trailers, video games, etc. For example, a video producer is in dire need of music content for a certain project and is in a limited time of finding one.

In these cases, the artist and the music licensing company will be contacted directly for the possible use of the original work and negotiate the upfront payment involved. Sync fees can range from a few dollars to a couple of hundred dollars or up to thousands. The payment usually depends on how big and established a company is. If it is a well known company, there is a probability that the sync fee will spike up in value.

We need to understand that businesses nowadays are paying premium for music at an all time high. The influx and revenue generated on different industries are worth billions of dollars and the music artists who got their music licensed will get a big share of that money. The content of music is very important. Every single company need visual and audio content. You can’t do ads, shows and movies without having any music content.

Music licensing brings compensation for assets used. This is called royalty fees. A royalty fee is the payment collected by one party from another for the ongoing use of a copyrighted asset. You can get compensated if your work is featured on live public performances. For every live use of your music, you get compensated as you own the copyright of your work.

The American Society of Composers, Authors and Publishers (ASCAP) has collected over $941 million dollars in licensing fees and distributed $827.7 million dollars in royalties to its members back in 2014. BMI on the other hand, collected more than $1.013 billion dollars in license fees and distributed over $877 million dollars in royalties to its members during the year 2015.

Music licensing is the modern way of earning through music. In the past few years, the physical sales had gone down. Streaming music has taken over because it’s more convenient and practical with the help of the World Wide Web. With the rise of streaming sales, the figures that could be collected as royalty fees could spike up in the years coming. In fact, as stated in an Australian financial review website, streaming generated $2.5 billion dollars in US music sales last year, overtaking digital downloads as the industry’s biggest source of music revenue. As stated in the picture below, the global streaming of music is projected to reach greater heights in terms of revenue in the upcoming years.

The internet contributed greatly for the rise of music licensing and streaming. 20 years ago, the distribution of music hasn’t been exactly this big. Television shows and filmmakers are the top two industries that need music content. Today, there are more and more TV shows, films, commercials, movies, ads and tons of video games that need music content. It is safe to say that the internet opened the public eye about the opportunities involved behind it.

One of the most visited sites on earth is YouTube. People use, duplicate, rework, copy, revise and perform music from different artists around the world. It also has an influx of ads which contains music content. To track all these data, YouTube has a Content ID System. If your music is licensed, you can contact this site and they will take a look at their data and see if your work is being used by other parties. As the licensor, you have the authority to take actions such as mute the audio which matches your music, block a whole video from being viewed, track the video’s viewership statistics or monetize the video by running ads against it. Every country has different rules about it. But YouTube runs a lot of ads and monetizing work from this site is very probable.

If you are an independent musician, you must improve and instill professionalism in your craft to get your chances up of being signed by a music licensing company. With billions of dollars of revenue involved today, you want at least a slice of the pie. Monetizing your passion is never easy but taking the necessary steps to make it work is a must to reach success.

This Is What Live Music Looked Like Last Week

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We had some truly stellar photos come out of our photographers this week, as they attended shows from Vance Joy, Ball Park Music, Matt Corby and Groovin The Moo sideshows, with the common theme being some amazing light shows.
As Forbes notes, in the missive, Sixx and bandmates James Michael and DJ Ashba implore YouTube to work harder to protect the rights of artists whose work frequently appears on the platform without proper payment, clearance or copyright, noting their own positions of privilege as successful musicians — and wanting to use that advantage for the benefit of smaller acts, in keeping with their history of artist advocacy.

“We recently completed our fourth album called Prayers For The Damned, in our singer/producer James Michael’s recording studio,” the band began. “We are a lucky band, grateful to have all had success prior to the creation of Sixx:A.M.

Music expresses that which cannot be put into words and that which cannot remain silent.

“Nikki came from Mötley Crüe, DJ played guitar in Guns N’ Roses for the past six years and James has had a successful career as a writer and producer. Releasing an album and being part of a tour going on sale allows us to use the promoters’ marketing money to create a larger platform to get our message out, and having a record company that generates publicity gives us an opportunity to speak up about issues we think are important — specifically the crisis with the music business and YouTube.”

The band go on to recall the occasion on which they backed Taylor Swift “when she spoke up about the absence of royalty payments to artists by Apple Music”, as well as explaining that the band has “long been an advocate for new artists”, as evidenced by Sixx’s predilection for featuring emerging acts on his radio show, before taking aim at Google (and its founders, Larry Page and Sergey Brin) for its payment strategies through the framework of comparing its annual revenue to that of the global music industry.